Fashion is a complex web of personal and business connections. As an industry, it is a byzantine ecosystem borne largely Nike Internationalist Mujer from the industry’s failure to look outside of its closest circle of friends (and business collaborators) for talent. The result is a significant overlap of roles — a magazine Nike Air Max 1 Mujer editor styling a brand’s runway show, a critic writing a brand’s show notes, an investor acting as a judge in a design competition, or the same handful of casting directors determining which models walk in shows and http://www.rossellamilone.it appear in ad campaigns during a season.More plainly, it ensures that the iron-clad establishment stays in power and in profit. This family-like set up tends Nike Air Vapormax Mujer to give rise to conflicts (legally and ethically) and as a result, creates Nike Air Presto Herren a very real need for transparency. Yet, the notion of candor and clarity is increasingly obfuscated Nike Air Zoom Pegasus 34 Womens in fashion because it could potentially dismantle the delicate balance — between advertisers and editors, designers and editors, influencers and brands, conglomerates and potential targets, and still, some further variations thereof — upon which the industry so heavily relies. (Note: This is in no way a fashion industry-specific phenomenon. Politics operates a lot like this, with its participants' quiet deals and debts).
Fashion’s small club of interconnected individuals — and the routine use of the same Nike Air Max 1 Donne editors, journalists, stylists, consultants, creative directors, competition judges, business executives, and investors, and the repetitive and often multi-faceted roles that many of these individuals assume Nike Air Max 270 Damen — has led Nike Air VaporMax Femme to another very distinct shortcoming: A glaring lack of perspective and diversity (racially and otherwise) on the runway,Nike Air Max 90 Mujer in editorials, at the helm, and most importantly, behind the scenes.The Same Creatives, The Same Standard(s) It has become wildly commonplace for the industry’s participants to rely on a relatively fixed group of figures with very little variation. This can be seen each time the same group of creative directors jumps from helm to helm of the industry’s most renowned houses. The same can be said of the consistent reliance on a small number of in-demand stylists. For instance, famed stylist Karl http://www.daviddenardi.fr Templer's clients include Alexander Wang, Sacai, Valentino, Ralph Lauren, Coach, Dior, Tommy Hilfiger, and Zara (more about his work with Zara here).
Do not forget the influential casting directors. Ashley Brokaw, for example, http://www.andrewjoslin.co.uk who the New York Times lauded as “fashion's most unlikely power player” a couple of years ago, has her say on what models Nike Air Pegasus 89 Damenwalk for Louis Vuitton, Loewe, Paco Rabanne, Prada, J.W. Anderson, Coach, Proenza Schouler, Calvin Klein, Raf Simons, Ralph Lauren, and others, each season.As set forth by T Magazine’s Alice Gregory:“If you flip through a magazine, stare up at a billboard or scroll through the thumbnail images of last season’s fashion shows, chances are high that you will be looking at the faces and figures Nike Air Max 97 Womens of models Brokaw has discovered and groomed. Her clients include Miuccia Prada, Nicolas Ghesquière and Nike Air Max 2017 Donne Jonathan Anderson. She has cast shows for Miu Miu, Balenciaga and Tommy Hilfiger; chosen models for print ads for Calvin Klein, Harry Winston, Chloé and Armani, along with campaigns for more mass brands like H&M, Gap and Zara.
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